Friday, September 26, 2014
This Tilting Lock Could Solve Traffic Problems Caused By Movable Bridges - gCaptain Maritime & Offshore News
This Tilting Lock Could Solve Traffic Problems Caused By Movable Bridges - gCaptain Maritime & Offshore News:
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Derek Jeter
Derek Jeter's Last Home Game by Roger Angell // The New Yorker
Wednesday, September 17, 2014
Kiwi fishermen land colossal squid
Fishing in the Ross Sea (Antarctica) a New Zealand fishing ship has landed a rare colossal squid. - gwc
Monday, September 15, 2014
How Stephen King Teaches Writing - The Atlantic
Stephen King believes in diagramming sentences and Strunk & White's Elements of style. Jessica Fahey interviews him in The Atlantic. - gwc
How Stephen King Teaches Writing - The Atlantic:
by Jessica Fahey
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How Stephen King Teaches Writing - The Atlantic:
by Jessica Fahey
Stephen King’s On Writing: A Memoir of the Craft has been a fixture in my English classroom for years, but it wasn’t until this summer, when I began teaching in a residential drug and alcohol rehab, that I discovered the full measure of its worth. For weeks, I struggled to engage my detoxing, frustrated, and reluctant teenage students. I trotted out all my best lessons and performed all my best tricks, but save for one rousing read-aloud of Poe’s “A Tell-Tale Heart,” I failed to engage their attention or imagination.
Until the day I handed out copies of On Writing. Stephen King’s memoir of the craft is more than an inventory of the writer’s toolbox or a voyeuristic peek into his prolific and successful writing life. King recounts his years as a high school English teacher, his own recovery from drug and alcohol addiction, and his love for his students (“even the Beavis and Butt-Head types”). Most importantly, he captivates the reader with his honest account of the challenges he’s faced, and promises redemption to anyone willing to come to the blank page with a sense of purpose.
I asked King to expound on the parts of On Writing I love most: the nuts and bolts of teaching, the geekiest details of grammar, and his ideas about how to encourage a love of language in all of our students.
For the interview click the headline above
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Sea ice wears white after Labor Day | Arctic Sea Ice News and Analysis
Sea ice wears white after Labor Day | Arctic Sea Ice News and Analysis:
September 2, 2014
"The Arctic summer of 2014 is nearing an end. Overall, the rate of ice loss during August was near average. Regions of low concentration ice remain in the Beaufort and East Siberian seas that may yet melt out or compress by wind action. While the Northwest Passage continues to be clogged with ice and is unlikely to open, the Northern Sea Route along the Siberian coasts appears open except for some ice around Severnaya Zemlya. As the end of the southern winter draws closer, Antarctic sea ice extent remains higher than average."
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Sunday, September 14, 2014
Monday, September 8, 2014
Friday, September 5, 2014
Vivien Maier - nanny, street photographer
Astonishingly beautiful work. Click through to the story for the pictures. Reminds me of my very much alive friend and great street photographer Susan Sermonetta.
A Legal Battle Over Vivian Maier’s Work - NYTimes.com:
by Randy Kennedy
The story of the street photographer Vivian Maier has always been tangled — she worked much of her life as a nanny, keeping her artistic life a secret, and only after she died in 2009, at the age of 83, nearly penniless and with no family, were her pictures declared to be among the most remarkable of the 20th century. Now a court case in Chicago seeking to name a previously unknown heir is threatening to tie her legacy in knots and could prevent her work from being seen again for years.
The case was filed in June by a former commercial photographer and lawyer, David C. Deal, who said he became fascinated with Maier’s life in law school and took it upon himself to try to track down an heir. He did so, he said, because he was upset that prints of her work — from more than 100,000 negatives found in a storage locker at an auction, containing images now possibly worth millions of dollars — were being sold by people who came to own the negatives but had no family connection to Maier, who spent most of her childhood in France and worked in Chicago, where she died.
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