Saturday, January 4, 2020

Crash jybe

Friday, January 3, 2020

Maine finalizes right whale protection plan for lobster industry - Portland Press Herald

Lobster boats & gear in Boothbay Harbor, photo by Margaret Jones Perritt 2008

Lobstermen, like any small business owners - certainly like lawyers - grumble or more about any regulation that adds cost or hassle.​  To the great relief of the guys at our homeport - Brian's wharf, Hatchet Cove, Friendship, Maine - the Department of Marine Resources has recommended to the federal government a sensible compromise regarding of right whale protection.
Basically that changes of line will significantly affect only those who fish in deep waters.  We have only one boat in that class - the owners of the wharf whose 55 foot boat Harvester fishes far offshore. - gwc
Maine finalizes right whale protection plan for lobster industry - Portland Press Herald

The Maine Department of Marine Resources has finalized a proposal to protect endangered right whales from entanglement in lobster fishing gear that would reduce the number of buoy lines in deeper waters, but also give it the freedom to adopt alternative protections to keep those fishermen and regional fishing practices safe.
The heart of the state plan is similar to one panned by the lobster industry last fall – cutting the number of buoy lines that could entangle a whale by setting a minimum number of traps fished on each line and requiring the use of lines with weak points to help entangled whales break free.
*****
***Keliher said the proposal focuses the whale protections on where right whales are most likely to be, and spares the large section of the Maine lobstering fleet that sets traps outside of the whale’s recently changing habitat. The whales follow the copepods it likes to eat, and the copepods are moving into deeper waters.

The bulk of Maine’s 5,000 state-licensed commercial lobstermen, or about 3,800 of them, would not be affected by the increasing trap counts on buoy lines, a practice known as trawling up, because they fish inside state waters, where trawling up is generally not required in Maine’s proposal.
About 1,200 have federal permits to fish in offshore waters, and most don’t fish there all year.
Maine’s proposed trawling-up requirements increase as a lobsterman sets traps farther from shore, including:
• Four traps per single-buoy trawl or eight traps per two-buoy trawl between 3 and 6 miles from shore.
• Eight traps per single-buoy trawl or 15 traps per two-buoy trawl between 6 miles and 12 miles from shore.
• 24 traps per two-buoy trawl from 12 miles from shore to the federal boundary, which varies across the state.

Wednesday, January 1, 2020

Don Larsen, who threw only perfect World Series game, dies at 90 - The Boston Globe

As an eleven year old Dodger fan in Levittown, NY I was devastated when Don Larsen threw a perfect game against the Brooklyn team in the World Series.  Too young to appreciate the awesome achievement.

Don Larsen, who threw only perfect World Series game, dies at 90 - The Boston Globe



Wednesday, December 25, 2019

Wednesday, December 11, 2019

Superfly - Maine Saltwater Striper Fishing Charters Bath

Maine Saltwater Striper Fishing Charters Bath

Super Fly Charters

Capt. John Coppola

20 Oak St

Rockland, Maine 04841



Cell: (207) 542-3134



E-mail:

captjohnsf@gmail.com

Thursday, November 28, 2019

John W. Olson, Cushing, Maine obituary | PenBay Pilot



John W. Olson, obituary | PenBay Pilot

John W. Olson - the nephew of Alvaro and Christina Olson - famous as the subjects of Andrew Wyeth has died at 97.   Born at the house made famous in Wyeth's Christina's world, he'll be interred in the family cemetery near Andrew.  I knew John a bit - through his son Sam who has a lobster wholesale business a couple of hundred yards from where his father was born.  I'd buy fuel and lobster at Sam's Seafood often as his Dad - in his '80s -  came in from a day of lobstering on his wooden boat My Girl.  His stern man was his lady (can't remember her name) who was his companion after his second wife died.  



Thursday, November 21, 2019

Van Morrison: Three Chords and the Truth Album Review | Pitchfork

Van Morrison - Three Chords And The Truth (Vinyl)Image result for van morrison three chords and the truth cover

If there's a Sir George Ivan Morrison album I don't own it's unintentional.  My fellow early boomer born in 1945 has put out his best album in twenty years.  As Jason Woodbury notes Van is in "incredible" voice, and his songs - all but one new - have the mix of mysticism, delight, and crabbiness we his fans have come to love.  Who else in the rock pantheon would string together Dark Night of the Soul, Early Days (of rock n' roll), and the grouchy Fame Will Eat the Soul. 

Buy the CD.  Don't turn to Spotify or download it.  You'll appreciate having the lyrics, and knowing twho plays each instrument on every song.  Van's Sax on Early Days, Jay Berliner on acoutic guitar, and Stuart McIlroy particularly caught my attention.  - gwc



Van Morrison: Three Chords and the Truth Album Review | Pitchfork

reviewed by Jason P. Woodbury


Forty-one albums into his storied career, Van Morrison remains one of rock’s most enduring studies in contrast, never changing and forever restless. Three Chords and The Truth is his sixth record in the last four years, the latest dispatch of a particularly productive period, and the first to feature all-new original songs since 2012’s Born to Sing: No Plan B (minus one co-write with lyricist Don Black). Though he sticks closely to the conservative R&B, blues, and jazz modes that have defined his ’00s discography, the LP’s 14 songs showcase his determination to wring profundity out of even the most common language. Songwriter Harlan Howard coined the phrase “Three chords and the truth” to describe the necessary ingredients for country and western music, but this isn’t a country record. Van’s talking about his desire to take simple rhymes and traditional song structures and imbue them with Caledonia soul heaviness.

As it has since his raging beginnings with Them, it’s Morrison’s voice that affords him such latitude. At 74, he sounds incredible, his voice deepened and richer with age, growling, cooing, and occasionally barking about familiar but resonant concerns. As always, he’s grouchy— sick of the powerful getting away with it all (the Brexit commentary “Nobody in Charge”), annoyed by notoriety and the complications of stardom (“Fame Will Eat the Soul,” which features a rousing call and response assist by Righteous Brother Bill Medley), and uncertain if goodness makes any difference in a compromised world (“Does Love Conquer All”).

But he’s equally nostalgic, riffing on the joy of sound on the title track and earnestly recalling the freedom and purity of youth (“Early Days,” “In Search of Grace”). There’s a warmth here that recalls his ’90s highwater marks, Hymns to the Silence and The Healing Game, and connects even farther back in time to 1971’s Tupelo Honey, which balanced the charms of domesticity with R&B raves. Credit the superb backing band for the record’s subtle but palpable drive. With Astral Weeks guitarist Jay Berliner in the mix, they support Morrison sympathetically. “It’s called ‘the flow,’” Morrison said in a recent interview, detailing his optimal conditions for making music. “I don’t know the mechanics of how that works. I just know when I’m in it.”

Monday, October 28, 2019

Van on Three chords and the truth

https://youtu.be/DIiUJFPp2qs