Monday, April 18, 2022

A Portrait of South Georgia: Abundance, Exploitation, Recovery - The New York Times



A Portrait of South Georgia: Abundance, Exploitation, Recovery - The New York Times



Sally Poncet first came to South Georgia in 1977. Back then, she said, the sub-Antarctic island was as gorgeous as it is today: A spine of mountains, some 100 miles long, defines the terrain; glaciers drape down from the peaks, with verdant slopes running up to meet them; glistening beaches wrap around the shoreline. But in those days, Ms. Poncet recalled, the island had an empty feel to it. “You felt a lack,” she explained. “It wasn’t alive like you knew it could be.”

Nobody knows South Georgia the way Ms. Poncet does. An independent field ecologist, she has surveyed or counted everything from its grasses and albatrosses to its elephant seals. Her second son was born on a sailboat here in 1979. Now, at the age of 69, she continues to work in the field — just as she did 45 years ago.

One result of these changes is a soundscape replete with squeaking, barking, belching, groaning and growling.

“Seals are calling everywhere,” said Ms. Poncet., “It’s constant — absolutely constant noise.”

Counting whales and understanding their habits can be an arduous task, but Jen Jackson, a whale biologist with the British Antarctic Survey, is working on it. Dr. Jackson’s research methods include professional observers, biopsy darts, fecal samples, droplets of whale breath, acoustic detectors and satellite tags. Using historical catch counts and new scientific data, her team has concluded that humpbacks are back to their pre-whaling numbers; there are 24,500 of them in the Scotia Sea, which surrounds South Georgia.

Ridding the island of the invasive land mammals — reindeer, rats and mice — required a monumental effort and over $13 million, but the payoff for wildlife has been extraordinary. During the summer of 2013, teams that included both Indigenous Sámi reindeer herders and Norwegian marksmen came to eradicate a reindeer population of 6,700 animals. The marksmen returned in 2014; they were so efficient that for every 10 animals they killed, they used just 11 bullets. By 2015, the island was free of reindeer.

The pipits poured in from rat-free areas so fast that scientists didn’t have time to document their recovery. Because these birds can lay four clutches of between three and five eggs per year, their numbers grew in a flash. Meanwhile, those living at the main British Antarctic Survey station found themselves watching large rafts of pintail ducks in the harbor during wintertime, and flushing pipits and pintails from the tussac grass during spring.

“It was like Grytviken was haunted by pintails,” said Jamie Coleman, a biologist who has spent three years on South Georgia. “You could constantly hear their whistling throughout the buildings.”







Saturday, April 16, 2022

Natchez Trace Ol' 55

 

Sunday, April 10, 2022

US Sailing Team takes silver and gold in Mallorca, Spain




The 51st Princesa Sofia tournament took place last week in Mallorca, Spain. The US. Sailing team took a silver and a gold.  These photos capture the excitement and athleticism of Olympic class racing today.

 

Thursday, March 31, 2022

Van Morrison: Playhouse, Edinburgh



Van Morrison: Playhouse, Edinburgh

Van Morrison
Edinburgh Playhouse
Wednesday 23 March 2022

Van Morrison brings his mercurial talents to Edinburgh with a typically soaring set of stone-cold classics. Sam Lambeth reviews.

Van the Man? To paraphrase Peep Show, it should be ‘Ven the Men’. For tonight isn’t just about the Belfast balladeer. Over the course of nearly two hours, Van Morrison’s band are the gears and the glue, driving the singer’s bull seal bellow forward with creativity, majesty and melody.

It’s testament to their ability and their enthusiasm that when the closing Gloria – a ’60s smash for Van’s first band Them – hits a solid instrumental groove, Morrison leaves the stage a good ten minutes before the song is over and the audience does not bat an eyelid.

As they did when LTW last caught Van the Man live in 2021, each musician has ample time to showcase their significant talents, whether it be a driving guitar solo, complex keyboard parts or an electrifying stab at the xylophone.

The thought of a significant amount of stage time without Van Morrison would have seemed unthinkable for anyone attending their first concert by the blue-eyed soul stirrer, but throughout the night his band show they are some of the handiest hired guns in town.

Take the soaring solo his fine backing vocalist takes on during the epic Sometimes We Cry – whereby a rowdy fan commits a crazy novelty by almost, almost making Van chuckle during the song’s lengthy breakdown – or the dextrous guitar solos that accompany the rambunctious cover of Laughin’ and Clownin’. Morrison himself shows he has another ace up his sleeve besides his voice, performing taut and dextrous blasts of saxophone during the contemplative classic Days Like This and the jaunty Caledonia Swing. Van the Vessel would also be a more appropriate nickname, for throughout the course of the show, the songs – and that voice – seem to flow through Morrison like an act of divine intervention.

As a frontman, he is a stoic and silent figure. The only movement comes from his gesticulated thumps of the air during a crescendo or his adjustment of his music stand. Dressed in his usual uniform of natty blue suit and aviator shades, a shock of red hair poking through his ever-present trilby, Morrison resembles an ageing boulevardier rather than a Rock & Roll Hall of Famer.

However, when he opens his mouth to sing, something truly transcendental happens. At 76, he still possesses a powerful, stirring set of pipes that are able to demonstrate bluesy menace or soulful sorrow with equal aplomb.

His most recent album, the glibly titled Latest Record Project Volume One, demonstrates Morrison’s commitment to the craft of songwriting is admirably workmanlike, but also remarkably consistent. For example, the groove of Double Agent slots in seamlessly amongst The songs lifted from his flawless Moondance album – the uplifting These Dreams of You and the wistful And It Stoned Me – possess the same verve, beauty and charm as they did when released in 1970, but this time there is added punch and poignancy from the thumping guitars, strident sax and epic harmonies.

Brown-Eyed Girl remains Morrison’s touchstone, and its youthful pomp gets most of the seated crowd up on their feet. As the Northern Irishman bows his goodbye, he leaves the stage while still singing. It’s a fitting representation of the devotion Morrison has for his craft.

For the latest Van Morrison tour dates, please visit his website


Monday, March 14, 2022

Spring break 2022

Martian valley -

 

Wednesday, March 9, 2022

Endurance, Ernest Shackleton’s Ship, Lost in 1915, Is Found in Antarctica - The New York Times







Endurance, Ernest Shackleton’s Ship, Lost in 1915, Is Found in Antarctica - The New York Times







The wreck of Endurance has been found in the Antarctic, 106 years after the historic ship was crushed in pack ice and sank during an expedition by the explorer Ernest Shackleton.

A team of adventurers, marine archaeologists and technicians located the wreck at the bottom of the Weddell Sea, east of the Antarctic Peninsula, using undersea drones. Battling sea ice and freezing temperatures, the team had been searching for more than two weeks in a 150-square-mile area around where the ship went down in 1915.

Endurance, a 144-foot, three-masted wooden ship, holds a revered place in polar history because it spawned one of the greatest survival stories in the annals of exploration. Its location, nearly 10,000 feet down in waters that are among the iciest on Earth, placed it among the most celebrated shipwrecks that had not been found.

The discovery of the wreck was announced Wednesday in a statement by the search expedition, Endurance22.




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Saturday, February 26, 2022