Monday, March 4, 2024

Alex Abramovich | At the Tom Verlaine Book Sale



Alex Abramovich | At the Tom Verlaine Book Sale LRBlog - - London Review Blog

A meme bounced around Brooklyn last summer: ‘What if we kissed at the Tom Verlaine book sale?’ Verlaine, who formed and fronted the band Television, died on 28 January 2023. Over the years he had acquired fifty thousand books – twenty tons or more – on any number of subjects: art, acoustics, astrological signs, UFOs. The sale of those books – a two-day affair in August, run out of adjacent garages in Brooklyn – was a serious draw. Arto Lindsay, the avant-pop musician, walked by. Tony Oursler made a short video and posted it on Instagram. Old friends, some of whom looked as if they hadn’t seen daylight in decades, found each other in the long line.

 Verlaine had split his enormous collection between storage units: one a short walk from his Chelsea one-bedroom, four more across the river in Red Hook, near the foot of the Gowanus Canal. Verlaine didn’t use Uber. To get to the Brooklyn facility he’d take a rickety grocery cart on the F train, ride it out to Smith and Ninth Street, the highest Subway station in the city, and walk the rest of the way. In a crowd, Verlaine stood out. He was tall, thin, fine-featured. (‘Tom Verlaine has the most beautiful neck in rock and roll,’ Patti Smith wrote in 1974. ‘Real swan like.’) He had never quit smoking and wore a car coat, like a character out of film noir. But there he had been, bumping his cart down several sets of stairs and escalators and wheeling it, under the Brooklyn-Queens Expressway, across seven lanes of traffic, to Red Hook. The books had to go somewhere.

Verlaine had been a regular at the Strand, where he’d once worked in the shipping department – you’d see him on the sidewalk in front, where the dollar carts were. On tour, he used the space between soundcheck and showtime to visit local booksellers. In Brooklyn, he had packed his storage units so tightly that Patrick Derivaz, the friend charged with handling his estate, had to rent another unit just to have space to move boxes around. Jimmy Rip, a guitarist in Television’s most recent incarnation, had flown in from Argentina in January; seven months later he was still in New York, helping out. Dave Morse and Matty D’Angelo, of the Bushwick bookstore Better Read than Dead, had come aboard too.

‘Usually,’ Morse told me, ‘people call and say: “We have fifty thousand books.” You get there and it’s more like five hundred. In this case, we counted the boxes. It was maybe a little less than fifty thousand, because Verlaine was really good at packing. He used a lot of filler. He’d improvise squirrel nests: folded pieces of corrugated cardboard and bubble wrap. He was scrappy about it but very meticulous and, for the most part, the books were in excellent shape. We did the math, scratched our heads, realised we couldn’t do it alone. We thought about dealers we knew who had space.’

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